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| "Everything in the Garden was Beautiful" (work in progress) : 24" x 24" : Acrylic on canvas : Copyright © 2013 by Martin Herbert |
The first stage of painting complete. I sealed the surface of the drawing with a couple of coats of matt acrylic medium. (This was the point at which I didn't really know that the whole thing was going to work - it could have just dissolved the whole surface and I would have lost 2 weeks work!). Then I covered the whole thing with 2 successive transparent yellow glazes, one in lemon yellow and one in deep cadmium with a bit of mixing white. I blotted off some colour at each stage with a rag to get in a bit of texture and depth. Once that was all dry I washed a very thin veil of titanium white over everything. That makes the next stage highlights easier to feather and blend.
After preparing the surface as above I worked on reinforcing all the highlighted areas in titanium white, improving the '3D' modelling of the shapes and adding specular highlights. This process gets continued in the next stage, but hopefully I'm beginning to get a bit of depth appearing. At this stage the colour ranges from white through various shades of yellow and orange to the dark red / terracotta background which is still evident in some areas. That last is important - I don't want the red to get completely obscured since it's going to make an interesting violet (I hope!) when combined with the blue glaze that goes on next ...
Oh, and I added a few more flowers for luck.
All the way through here I'm using ordinary Windsor & Newton Finity & Galleria acrylics, mixed with Daler-Rowney System 3 glaze medium for the transparent colour glazes. I'll be getting on to the fancy new Atelier Interactive acrylics in the latter stages.
Today I'm concentrating on getting the next colour glazes onto the surface - that's where the magic happens, I hope! While coats are drying I'm off to the builder's merchant to pick up wood for the custom frame...
