Showing posts with label Ink. Show all posts
Showing posts with label Ink. Show all posts

Saturday, 8 February 2014

Exhibition: Mid-Wales Arts Centre from Sunday 23rd March

 Click for the artist's website

Heads-up: While getting new projects under way, drawings from the last project, "Synthesis" will be on show at the Mid-Wales Arts Centre at Maesmawr Hall, Caersws, Powys, SY17 5SB from 23rd March to 27th April.  Selected works will continue to be shown there afterwards as part of the group exhibition for Powys Arts Month, which continues into May.

A chance for those who didn't quite make the opening at MOMA Wales last year to come and see the project. All works will be for sale. Private view details will follow soon ...


Saturday, 15 June 2013

Work in progress again ... drawing completed

Finally finished the base layer of my painting "Everything in the Garden was Beautiful". First time I've tried actually painting directly over the drawing itself ...

"Everything in the Garden was Beautiful" (work in progress) : Ink, pencil, acrylic, egg-tempera on gessoed canvas : 24" x 24" : Copyright © 2013 by Martin Herbert
Since the last stage I deepened the shadows using sepia pencil and ink and lifted the highlights, using white acrylic in this case rather than gouache as I'm going to cover it with a water-soluble medium.  I also deepened the background colour then painted in some 'millefiori' texture in the white. Next stage is to let it dry completely overnight then seal the surface with a couple of coats of matt acrylic medium before I start actually painting (finally!).

Tuesday, 4 June 2013

Last chance to see ...

At the opening on May 18th. Photo by Arvid Parry-Jones for the Cambrian News
Don't forget, "Synthesis: Works on Paper by Martin Herbert" finishes at MOMA Wales in Machynlleth this Saturday 8th June! Don't miss the last chance to see the exhibition.

In the meantime, I haven't had time to prospect for other galleries to show this work, so to save it all being propped up in the corner of the studio doing nothing, anyone have a suitable space which is crying out for a ready-made exhibition of large-scale figurative drawings all framed and ready to go?


Tuesday, 23 April 2013

Exhibition open at MOMA!

"For the Girl Had No Clothes On!" : Ink, red chalk, gouache & pigment on Khadi handmade paper : 70 x 50 cm
Copyright © 2012 by Martin Herbert
We delivered the work for my new show at MOMA Wales on Friday and apparently it's already up on the walls, a week ahead of schedule! The exhibition is the result of my Arts Council funded project "Synthesis" which ran for 6 months last year (well, the money ran out after 6 months - the project continues!), and is of large-scale drawings in traditional media (ink, red chalk, white gouache) on handmade Khadi paper (made in India from 100% recycled cotton rag). I haven't even managed to get over there to see the results of the hanging yet, so not sure exactly how many works they managed to fit in the space, but I'm told its looking good! They will also be a video installation just as soon as I get the DVD working!



There will be a Private View at midday on Saturday 18th May 2013, to which you are all most welcome. Two other exhibitions will be opening at the same time in the upstairs galleries so there'll be a lot to see.

Many thanks go to Ruth Lambert and all at MOMA, who are not only hosting the exhibition, but whose help in securing funding for the project in the first place was absolutely invaluable!

Here's a more comprehensive description of the work (scroll down for the Welsh version), and I'll be putting up images in an online gallery page on this blog as soon as I can find the time!

Hope to see you all on the 18th!


Project ”Synthesis” - Introduction:
Prosiect  “Synthesis” – Cyflwyniad:

This project has two distinct strands with one theme in common - they both concern the reconciliation between digital 'new media' and traditional drawing and painting techniques.  My goal is to explore ways in which computers and the internet can be used to source material which inspires illustrations and innovative new work to be carried out using traditional materials and techniques.

The first strand concerns the production of new organisms, machines and organic constructs using 3D computer modelling technology, which I then use as inspiration for new drawings done using the earthiest and most organic of materials - sepia ink, clay pencils, earth pigments etc.

The second strand involves sourcing written material from the internet - I am using these texts as the basis for new illustrated editions of neglected or beloved books which have now passed into the public domain through expiry of copyright and are now available to anyone who cares to download them from web archives.  The illustrated editions will then be uploaded back to the internet as e-books, completing the cycle.  The first book to receive this treatment is Irish author James Stephen's 'fairy tale for grown-ups', The Crock of Gold. The illustrations are a work in progress, leading up to publication of a new illustrated edition in 2013.


Mae dwy elfen bendant i’r prosiect hwn gydag un peth yn gyffredin - mae’r ddau’n ymwneud â chysoni’r ‘cyfryngau newydd’ digidol a thechnegau arlunio a phaentio traddodiadol. Fy nod yw edrych ar ffyrdd y gellir defnyddio cyfrifiaduron a’r rhyngrwyd i gael hyd i ddeunyddiau sy’n ysbrydoli darluniau a gwaith arloesol newydd sy’n defnyddio deunyddiau a thechnegau traddodiadol.

Mae’r elfen gyntaf yn ymwneud â chynhyrchu organeddau, peiriannau a lluniadau organig newydd gan ddefnyddio technoleg modelu cyfrifiadurol 3D y byddaf wedyn yn eu defnyddio fel ysbrydoliaeth am arluniau newydd a wneir gan ddefnyddio’r deunyddiau mwyaf priddlyd ac organig – inc sepia, penseli clai, priddliwiau ac yn y blaen.

Mae’r ail elfen yn ymwneud â chael hyd i ddeunydd ysgrifenedig o’r rhyngrwyd – dw i’n defnyddio’r testunau hyn fel sail i argraffiadau darluniedig newydd o lyfrau hoff neu anghofiedig, sydd bellach wedi mynd yn eiddo i’r cyhoedd wrth i’r hawlfraint ddod i ben ac sydd ar gael i unrhyw un sydd am eu lawrlwytho o archifau’r we.  Bydd yr argraffiadau darluniedig yna’n cael eu lanlwytho i’r rhyngrwyd, gan gyfannu’r cylch.  Mae’r llyfr cyntaf i dderbyn y driniaeth hon yw’r ‘stori tylwyth teg i oedolion’ gan yr awdur o Iwerddon James Stephens, The Crock of Gold. Gwaith ar y gweill yw’r darluniau, sy’n arwain at gyhoeddi argraffiad darluniedig newydd yn 2013.


Project Synthesis has been made possible with the support of:
Mae Prosiect Synthesis wedi’i wneud yn bosibl â chymorth:




Wednesday, 3 April 2013

New art! - "A Hat that Stirred Her to the Top of Rapture"

"A Hat that Stirred Her to the Top of Rapture" : Red chalk, ink, sepia ink & dry pigment on handmade Khadi paper : 70cm x 50 cm : Copyright © 2013 by Martin Herbert
"A Hat that Stirred Her to the Top of Rapture" : Red chalk, ink, sepia ink & dry pigment on handmade Khadi paper : 70cm x 50 cm : Copyright © 2013 by Martin Herbert

Just finished the last piece for my solo exhibition "Synthesis" at MoMA Wales, Y Tabernacl, Machynlleth, which opens on 29th April.  This is one of the ongoing series of illustrations for James Stephens 1912 book of Irish mythology-based fantasy "The Crock of Gold". There will be a private view of the exhibition at noon on Saturday May 18th - please be there, and bring friends!  Mail me for further information.

In the meantime, to receive prints of art by myself and my wife Vivi-Mari Carpelan, (here seen wearng The Hat) in our brand new radical 'change-the-art-market' publishing venture - please check out our crowd-funding project at indiegogo.com/wowlookwhatigot !  Don't forget, the funding campaign closes on Monday 15th April, so please go check it out soon and if you can, contribute a modicum towards our small yet significant total!

More exhibition news soon ...!
Bye for now !
Martin

Friday, 29 June 2012

New drawing - "Mediator" - entry for the Jerwood Prize

"Mediator" : Ink, chalk and gouache on tempera-washed handmade khadi paper : 64 x 52 cm
Copyright © 2'012 by Martin Herbert


My entry for this year's Jerwood Drawing Prize.  Delivered last weekend to the Cardiff School of Art and Design, and now en-route to London.  The Jerwood prize is held every 2 years, and is one of the things I´d most like to win as it actually carries a certain amount of ´street cred´ in the art world!  Well - winning is highly unlikely, judging by the usual number and quality of entries, but it would certainly do no harm to be shortlisted.  The shortlisted entries are all exhibited in a touring exhibition, and it's a good chance to get something into some decent galleries .... Announcement of selections next Friday 6th of July - watch this space - if it doesn't get selected it's going up for sale on Saatchi in the near future ...

This is one of the 'organic abstract' (note to self - must think of a better name) pictures which I'm producing as part of the Synthesis project - a six month Arts Council of Wales funded development project in which I'm exploring the fusion of digital 'new media' (in this case the digital construction of 3D fractal objects), with classic drawing techniques to create 'portraits' of entities and machines which exist only in potentiality.

Saturday, 22 October 2011

A new drawing just completed ...

"Order & Chaos" : Original drawing in sepia ink and terracotta pencil on handmade paper : 28 x 22 inches
Copyright © 2011 by Martin Herbert
Hi all,

Just finished a new drawing which I've had in my head for some time.  it's now available for sale on etsy.com.

The perfection of the Fibonacci spiral, based on the golden mean, contrasted with the representation of mortality, decay, and devolvement into chaos. Entropy rules! The skull image may be a complete contrast with the perfect mathematical fluidity of the spiral - however the spiral form is appropriated by nature for the horns - all things are linked. The mathematical expression used in the background is the equation for the spiral itself.

Finally got around to making it, so here we go....

It's a unique original drawing in the most traditional media I can muster - similar to what my hero Leonardo Da Vinci would have used; sepia ink and terracotta (clay) pencil with white highlights, on rough 'deckle-edge' handmade paper prepared with a red earth egg-tempera wash. Overall size of the paper is 28.5 x 22 inches (72 x 55 cm).