Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Thursday, 28 August 2014

Artist review - 40 days with the Wacom Cintiq Companion - Part 4: A drawing for sale

Update: New revised version - that's more me!

"Is there honey still for tea?" : Digital drawing : 40 x 30 cm : Limited edition of 10
Copyright © 2014 by Martin Herbert
Due to the hardware problems, I'm about ten days behind where I wanted to be in evaluating the Cintiq Companion, but I finally had time to do a drawing using the excellent ArtRage package. I'll be writing an evaluation of ArtRage on the Cintiq shortly, but in the meantime, here's the finished result.

For sale as a signed & numbered limited edition of 10 copies on eBay here -> http://www.ebay.co.uk/itm/111451328062. By purchasing you'll be helping pay for my MA in Fine Art at Aberystwyth, which I'm starting next month.

"Is there honey still for tea (detail) : Copyright © 2014 by Martin Herbert
My contribution to the 1914-18 war commemorations I guess - it didn't actually start out that way, I was experimenting with shapes and stencils to see what happened and it just sort of fell out. The title "Is there honey still for tea?" is of course from the last line of Rupert Brooke's poem The old Vicarage, Grantchester. It was written in Berlin in 1912 when Brooke was recovering from an illness, and it is widely held to reflect the idyllic England for which his generation would be fighting only two years later, and which was ironically to all but disappear as a result of that conflict, even though Britain actually 'won' in that struggle.

Two years later, in 1914, Brooke wrote what are undoubtedly his most famous lines "If I should die, think only this of me: That there's some corner of a foreign field That is for ever England." He died on St. Georges day 1915 en-route to Gallipoli.


"God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go"


Wednesday, 27 August 2014

Artist review - 40 days with the Wacom Cintiq Companion - Part 3: Quo Vadis ?

Page of notes from 'Bamboo Paper' running on the Wacom Cintiq Companion
You'll recall that the Wacom Cintiq Companion which I have on loan for test and review purposes turned out to have a dodgy audio chip and selfie-cam. The replacement Cintiq Companion (a.k.a. Wacom ) has now duly arrived, and happily all hardware tested OK this time.  I have to say although the audio quality through the headphone socket or via Bluetooth speakers is fine, the internal speaker quality is complete rubbish, a problem which has been remarked on by other reviewers.

Whilst I was awaiting the replacement, I've been messing with some apps just to get the feel of the thing, and now since the replacement arrived, I've installed a whole lot more, including ZBrush 4R6, Photoshop CC and Premiere CC, Cubase, and Microsoft Office 365. I've also got the Reactable music synthesis/sequencer system running under the Bluestacks Android emulator, of which more later, undoubtedly!  I've started working on some of the items in my test plan (above - written in Bamboo Paper with the Pro Pen - nice!).

In the meantime, however, playing with all this stuff has thrown up some odd adjustment stuff ... when Wacom asked me to review the Cintiq Companion I suspect they were not after existential musings, but ... the following is transcribed from a Bamboo Paper notebook page written this morning.

Maybe this is a restart of the 'Artist Pages' (blame Julia Cameron's 'The Artist's Way') which I used to write longhand on my original tablet PC using Windows Journal, or maybe it's just a brief note, but ... Artist's Block is a thing. :-( Hear that?  I have absolutely no idea what to do.

Pick a different colour maybe (note: pen changed colour here) ?  Anyway ... I'm feeling constricted by having to put a piece of computer hardware though its paces, getting more and more anti-tech as I go along. I'm not sure why this should be - I found using a tablet PC before was a liberating experience - being able to experiment with different ideas, styles, even media without wasting a lot of paper seemed to free up some creative impulses which had been bound up before.

This time, since I started using the Cintiq Companion, I feel restricted in how I use my time, having an obligation to evaluate and report, but also creatively, like I just can't bring myself to put 'pencil' to 'paper' for fear that I'm wasting my time - for fear, I think, that I will fail spectacularly at actually producing any meaningful art.

I should just pull myself together. If David Hockney can exhibit 'paintings' made on an iPad, then I should be able to make something useful on this platform which is, after all, specifically intended for artists. So ... here goes - time to fire up ArtRage and attempt something creative.


Friday, 22 August 2014

Derwent Art Prize 2014: My shortlist

The organisers of the Derwent Art Prize (for works created using pencil media) have taken the decision to put online all of this year's entries so that members of the public can vote for their favourite for the 'People's Prize'.  The creators of the two most popular works will each win £700. ( I have no vested interest - I never have time to enter these things, and usually can't afford the entry fees anyway!). You can make your choice at http://www.derwent-artprize.com/gallery/peoples up until 1st September 2014.

However, rather than just vote for a favourite, I thought "Let's play a game of 'adjudication panel'" and pick my own short-list.  Who would I choose as potential candidates for overall winner?  That proves to be quite a difficult choice - there are around 600 entries on the website to choose from.  I tackled it by going through the pages twice, stopping to click on and enlarge anything which especially caught my eye. My rule was that anything which continued to catch my eye the second time around made the short-list, and I came up with a surprisingly short list of 10 pieces (3 of which are by the same artist).

I thought the process was going to inform me about the state of drawing in current art practice, but I have to say that it ended up telling me more about my own aesthetic sense and critical faculties in ways I hadn't anticipated. My own taste in the past has run to complex lines and shading, realism and dazzling displays of technical skill. My own practice espouses a techno-steampunk-bio-organic-machinery aesthetic which seems sometimes to get more and more convoluted a time goes on. When looking at the Derwent Prize entries, however, I found myself drawn not only to style, but to content.  It became increasingly apparent that mere technical brilliance was not going to give me a sense of satisfaction with a drawing (on the other hand, concept without skill didn't appeal either). There were a great many entries which were figurative, realistic or hyper-realistic, and many were technically very skilled, but only one (below) actually caught my eye as also being artistic. Most of my choices were, surprisingly, more abstract or stylised in nature. So... my shortlist for this year's Derwent Art Prize, in no particular order ...

real fish

CHOI A-ROM

Choi A-Rom's real fish was the first item to catch my eye. I like that bio-organic aesthetic, and skeletons figure high in the list of subjects for that kind of art. There were many such entries, most of which looked like A-level studies (and quite possibly were) - technically proficient but soulless. real fish, however, immediately awakens my interest - it's not real - it has a tree for a tail - why? Darned if I know, but I like it.


Hypnagogia

DANIELLA TURBIN


One unfortunate thing about making up a shortlist from online photos is that subjects which aren't originally clear and simple suffer from the poor quality of the photos. If the organisers want people to make meaningful choices they need better quality photos next year! Hypnagogia by Daniella Turbin is just clear enough to make me want to see more. One of the principles I try to adhere to in my own practice is that a picture should, when seen from across the room, immediately make the viewer think "what's that about?" and prompt them to go for a closer look. Hypnagogia certainly passes that test.


time section 05

AUBERON BAYLEY

time section 05 by Auberon Bayley is again a piece which wants me to take a closer look. I love the juxtaposition of delicate colours with precise line - an ultimate expression of 'making the mark'.


Rui

LIZET DINGEMANS

I mentioned that there was one piece in the 'figurative/realistic' category which I thought was accomplished enough to make anyone's shortlist, and Rui by Lizet Dingemans is it. Supremely confident and expressive line-work makes this a serious contender in my opinion.

Feathered Remain

MARJORIE MOORE

Now some drawings I found completely captivating in the sense of "I wish I could do that" ! Marjorie Moore entered three pieces, and I was unable to choose between them, so they all made my shortlist. They have just the mix of texture and detail which I'm trying to achieve in my own work, and the forms are instantly intriguing. Brilliant!

Drought Fire Ash #!

MARJORIE MOORE

Feathered Flight

MARJORIE MOORE

Feathered Flight immediately makes me think of C18th china patterns and wallpaper, giving a feeling of movement in nature.

a cure'

SARAH GOUDIE

Sara Goudie's a cure (and its companion piece Sounding) struck me immediately and forcefully as an expression of pain and hope. I don't know the story but it makes me want to. It invites compassion, and yet tantalisingly, we don't know for what.

" muro de los lamentos "

CINARA KRAMER

What can I say? - I love the experience of exploring the content of collages like muro de los momentos by Cinara Kramer, and trying to figure out where the pieces come from and what they represent. I like the idea of creating collage from drawings, not by cutting and pasting pre-existing material, but by creating all the pieces individually and then fitting them together. It's a piece which draws  me in, and would probably occupy a significant portion of my time in the gallery.

Liverpool Town Hall facade

JORDAN RODGERS

... and lastly, I had to have at least one architectural study in my list. I spent far too little time on the architecture room at the Royal Academy Summer Exhibition this year, but my feet were worn out by then! Liverpool Town Hall facade may be a bit of an uninspired title, but I really like the sense of movement, the drawing in of focus, and the feeling of a piece which is almost photographic and yet at the same time, obviously isn't.

So there we are - the shortlist I would have made in the unlikely event of my being asked to judge a major prize!  Picking two winners, I would have to say Feathered Remain by Marjorie Moore and a cure by Sarah Goudie stand out as best in show, and my choice for overall winner would definitely be be a cure. My tip for overall winner though - Rui by Lizet Dingemans. I would guess it's more likely to appeal to the public taste, but then it is a male nude, which could count against it.

It will be interesting to see if my choices tally at all when the winners are announced. The Derwent Art Prize exhibition runs from 15th - 20th September at the Mall Galleries in London and from 1st Dec 2014 - 9th Jan 2015 at the Pencil Museum in Keswick. 

Now - go and vote!


Wednesday, 6 August 2014

Artist review - 40 days with the Wacom Cintiq Companion - Part 1

Those who are attentive and have an interest in things technological for artists will remember that some time ago, I published this blog post, a comparative review of Windows 8 tablets that I thought might be  suitable for use by artists who want a pressure-sensitive pen solution for digital drawing and painting. Digital drawing is something which had become a bit of a mainstay of my practice, and which I've been a bit lost without since my old HP Tx2500 tablet PC died a couple of years ago.

Wacom Cintiq Companion
The object of the exercise was to decide which PC to specify in a large project grant application I was preparing for the Arts Council of Wales at the time. The clear winner in terms of functionality was the Wacom Cintiq Companion, which was about to come onto the market at the time. Sadly I didn't get the grant, and the project continues in a much reduced form. I resigned myself to carrying on using a standard non-pressure-sensitive Android tablet for the moment, and possibly getting a much cheaper Windows model like the Samsung Ativ Tab 3 later on…

Moving on a few months, and I happen to notice in passing a competition being run by Digital Arts Magazine.  The winners get a Cintiq Companion tablet (!), and the runners-up get a review unit free for 40 days in return for supplying feedback on its useability for art, with a big discount off the full price if they decide to keep it at the end of the review period. All that is required is my contact details and a link to my portfolio, so I spend 30 seconds filling them in, just entering a link to my website as the portfolio address, move on, and forget all about it. Obviously they are looking for illustrators and graphic designers to assess the product, and aren't going to be interested in a fine-artist specialising in oils and egg-tempera. Some weeks later I get an email from Digital Arts. Sorry, I wasn't one of the lucky few who won a Cintiq outright, but I AM one of the 50 who get a review unit for 40 days - yay!

So - I get my new tablet after all, for 6 weeks, with the option to purchase at a reduced price if I can raise the money in time (on top of getting together the cash for my MA course fees!).  I've just received notice that my new toy has left the manufacturers in Germany and should be here soon, and will be putting it through its paces for the next 40 days, writing about my experiences as I go. It's a timely happening, since apart from fine-art work, I have a book cover commission to do, and 2 website designs to thrash out over the next few weeks. I hope the blog posts will be useful to others who're considering what is, after all, a very expensive purchase for an independent artist (the full price is currently £1,599, so it's got to be worth about three iPads for that!).

So … here goes - a number of blog posts to come about how I get on. If you're an artist who's interested in how the Wacom Cintiq Companion performs in a day-to-day arts practice, please follow the blog (see top right for links). I promise one thing though - no crappy unboxing video!

… oh, and, expect me to try to sell you some art to pay for this thing if it turns out to be as useful as I hope!

Saturday, 5 April 2014

Artist talk tomorrow!

"Order & Chaos" : Copyright © 2012 by Martin Herbert

In my experience, if there's one thing artists (at least representational artists who do stuff that's a bit 'wierd') get asked more than any other it's "Where do you get your ideas from?"

"Functional Pumping Heart Model (Self Portrait 2011)" (Detail) : Copyright © 2011 by Martin Herbert

Well, now we have the means to answer this most important of questions - the Artists Talk!

"Pan in Ireland" : Copyright © 2012 by Martin Herbert

Accordingly, I will be talking tomorrow about my current exhibition at the Mid Wales Arts Centre in Caersws, addressing such matters as the inspiration behind the work, the techniques used in its creation, and a little about the meaning of each piece, as well as going on to talk about the latest project and where it's all leading! Want to hear the story behind "That Tracey Emin Says My Art Looks Like a Plane Crash"? This is the place to be...!

Not only that, but you can partake of a wonderful Sunday afternoon tea featuring MWAC owner Cathy Knapp's home-made cakes - Chocolate & beetroot, anyone?

Artists Talk by Martin Herbert
The Mid Wales Arts Centre
Sunday 6th April, 3:30

Free Admission

Click here for map.

Also on show is work by Julie Jones and Daniel Roberson, a rotating collection of work by other artists and the permanent collection of sculpture by Stephan Knapp.


Sunday, 6 October 2013

Windows 8 tablets for artists – a review

And the winner is ...
I've been deep in the process of preparing a grant application to the Arts Council of Wales for a new project recently. One of the things I want to fund is the replacement of my tablet PC, which after several years and a couple of repairs gave up the ghost at the end of my last project.

The last model was an HP Tx2500 series convertible tablet. It originally came with Windows Vista 32 (in Spanish), it weighed a ton, it had a battery life of less than 3 hours, and it overheated to the point where it was uncomfortable to hold, which was eventually the cause of its demise, as the graphics chip eventually de-soldered itself from the motherboard. I installed the Windows 8 Beta release on it, and it worked great, but I had to get it fixed twice, but eventually decided it was beyond repair and sold it for spares on eBay.

The point was, it had two major advantages – it had a Wacom pressure-sensitive pen for screen input, which meant I could draw on it, and it ran Windows. “Why would that be an advantage?”, I hear you ask ... simple – because my weapon of choice for making fabulous drawings on a tablet is ArtRage, a 'natural materials' graphics package which is absolutely the best thing for drawing on a PC. There is also a version for iPad, but Apple never designed that for a pressure-sensitive pen, so that makes it a no-brainer (that and the fact I want to run Zbrush and other packages on it as well).

So ... the tablet market is changing fast, and I looked for a comparative review of all the available models which might be specifically suitable for artists. Guess what? There isn't one, so.... here we go. Disclaimer – I haven't been able to try these – I'm just comparing features here. It took a while just to compile the list, and it will doubtless be out of date soon, but:


Some of these models aren't yet available at the time of writing (Oct. 2013) but are expected soon, so they're in. The list of features I've included in the table, by the way, won't be relevant to everyone, and is based on things that I've found an irritation in my current cheap Android not-very-arty tablet. The important stuff is there, though – screen size, resolution, CPU, memory, storage space, and price. Remember, the common factor here is – they all have pressure-sensitive pen input. I haven't bothered noting the number of pressure-levels, as my old PC had 512, so pretty much anything is an improvement.

I'm not going to discuss every model in detail – you can go read the manufacturers' blurb for yourself, but I will comment on a few particularly relevant points here:

Samsung ATIV Tab 3
First up is the Samsung ATIV Tab 3. It's just become available, and it gets a special mention because it's cheap and compact. Cheapest (£489) and most compact of all the models here in fact, so if you're on a very limited budget it's probably worth a try. It's basically like a Galaxy Note 10.1 with the Wacom S-Pen – except it runs Windows 8 instead of Android and will therefore run standard Windows 8 software like ArtRage. A very elegant solution as far as I can see. Not ideal in my case – low CPU spec, low memory, and I had the Note 10.1 for a while and found the S-Pen too small and fiddly, and it skidded on the glossy screen. As I say though, if you're on a budget and you'd like a Win 8 sketchpad – this could be ideal.

Panasonic UT-MB5
Let's jump to the other end of the scale – the humongous Panasonic UT-MB5 will be released shortly. It's a Windows 8 tablet with a 20 inch (yes, you heard right) 4000 pixel display. Aimed squarely at architects, car designers and the like who need precision ... maybe it would be great for art, but the pen looks quite big and clunky to me – not sure why it should be. Also, you'll be using it on mains power most of the time as battery life is a stated 2 hours (!). The main disadvantage, though, is the price of £4,500 – I can't see the Arts Council springing for that!

In the mid-range of prices there's quite a lot of choice, and I suspect one is pretty much as good as another with the choice being mainly down to looks, and where you get the fastest CPU/most memory/most storage for your money. The MS Surface Pro is a good bet at £719 for the 128GB model, but wait a bit and get the Samsung ATIV Tab 7 when it arrives and you'll get the same spec. with a bigger screen (11.6” as opposed to 10.6”) for £31 more.

The Toshiba is overpriced, and the HP is under-specced (plus, sorry HP but my previous experiences with your laptops have not been good – see above – and that's sadly not the only example). Panasonic have the extra-tough FZ-G1 on the cards, but it's much more money (£1,800) than similar spec. machines from other manufacturers. If being able to drop your tablet in a bucket of water from a great height and retrieve it unscathed is a priority, it might be for you, though.

The Lenovo ThinkPadTablet 2 looks like an elegant device. It's low-spec, but it's cheap at £540. It's one of a trio of devices with a smaller 1366 x 768 screen (most of the ones above are 1920 x 1080), the others being the Fujitsu Stylistic Q572 and the Asus VivoTab TF810C.

So - given that I'd like a large screen with as high resolution as I can, with decent CPU and memory, I'd pretty much settled on the Samsung ATIV Tab 7 as being the best feature/price compromise... but wait ...... !!!

Just as I thought it was safe .... I happened across this ...

The Wacom Cintiq Companion
... and it was love at first sight. Any artist who uses graphics on a PC knows Wacom as a manufacturer of PC graphics tablets, from the budget Bamboo to the designer's standard Intuos. If you're into design, you are also probably familiar with their Cintiq range of touchscreens – external monitors you can plug into a graphics PC or Mac which give you a write-on screen you can use with the whole super-sensitive range of Intuos pens. Now – they say in response to artists' and designers' not-so-subtle hints, they have released a couple of stand-alone tablets with their 13.3” screen. One, the Cintiq Companion Hybrid, operates as a normal Cintiq input device when connected to your desktop graphics machine, and as an Android tablet when on its own, with some sketchbook-type apps by Wacom themselves for working on the fly. Sounds nice, but ...

The other model, the Cintiq Companion, is a whole new ballgame... because it's a stand-alone Windows 8 tablet which will run things like Photoshop, Zbrush, Maya etc... and my favourite ArtRage – and has the fabulous Intuos pen with 2048 levels of sensitivity, tilt function, and all the other specially-for-artists features of the Cintiq range. Added to that, although the price is predictably quite high (£1,650 – mind you, that's still £150 less than the FZ-G1), the spec. is also higher than all the other tablets examined here. It's the only one apart from the Panasonic monster with 8GB of memory as standard, and 256GB of storage. It's the only one with a core i7 CPU instead of core i5, and it has Wacom's standard productivity devices (programmable physical and on-screen buttons) designed specifically for artists. The point, basically, is that of all the models compared, it's the ONLY one specifically designed for creative visual artists, so the choice suddenly becomes quite simple. I want one. Now.

Saturday, 15 June 2013

Work in progress again ... drawing completed

Finally finished the base layer of my painting "Everything in the Garden was Beautiful". First time I've tried actually painting directly over the drawing itself ...

"Everything in the Garden was Beautiful" (work in progress) : Ink, pencil, acrylic, egg-tempera on gessoed canvas : 24" x 24" : Copyright © 2013 by Martin Herbert
Since the last stage I deepened the shadows using sepia pencil and ink and lifted the highlights, using white acrylic in this case rather than gouache as I'm going to cover it with a water-soluble medium.  I also deepened the background colour then painted in some 'millefiori' texture in the white. Next stage is to let it dry completely overnight then seal the surface with a couple of coats of matt acrylic medium before I start actually painting (finally!).

Wednesday, 5 June 2013

Work in progress ...

Work in progress - first stage of drawing complete, 3 whole terracotta pencils later.  Now have a month to make this into a finished framed painting ....! Eek.  Next step - bring out more contrast with some sepia pencil.

Work in progress. Working title "Everything in the Garden was Beautiful". Terracotta pencil on gessoed & sanded canvas with egg-tempera imprimatura. 24" x 24".

Tuesday, 4 June 2013

Last chance to see ...

At the opening on May 18th. Photo by Arvid Parry-Jones for the Cambrian News
Don't forget, "Synthesis: Works on Paper by Martin Herbert" finishes at MOMA Wales in Machynlleth this Saturday 8th June! Don't miss the last chance to see the exhibition.

In the meantime, I haven't had time to prospect for other galleries to show this work, so to save it all being propped up in the corner of the studio doing nothing, anyone have a suitable space which is crying out for a ready-made exhibition of large-scale figurative drawings all framed and ready to go?


Monday, 13 May 2013

More private view news

Just so you know - the exhibition private view on Saturday 18th May at 12 noon also marks the opening of  2 other exhibitions at MOMA Wales.


The upstairs galleries will feature the annual exhibition of the Watercolor Society of Wales, while in the cafe there will be an exhibition of photographic work by Margaret Smith, so there'll be a lot to see!

We look forward to seeing you there! For full details click here.
Martin

Friday, 3 May 2013

It's Summer!! No, really! Let's celebrate!

I decided to celebrate the onset of summer by having a sale in my etsy.com store, and doing a bit of a feature here about the stuff there, as there's quite a selection of different styles (over 140 items on sale at the moment!).

The most important bit: You can enter the discount coupon code MAYDAY2013 at checkout to get 20% off your entire order - anything in the shop... and you can get to the store by clicking Right Here.

Moving on ...  prices in the store range from just over £2 ($3 US) for greetings cards, through £16 ($25) for mounted mini-prints, typically £25 ($40) for a medium sized print, and £100+ ($150) for a large one.

There are some original drawings available with prices ranging from $60+ ($90) to over £1,100 ($1,800).

A lot of the items are already priced low as they are surplus stock from my former real-world gallery here in Mid-Wales where we live.  Some are in styles I don't really work in any more so are unlikely to be repeated, but some are more contemporary.  Take a look at some examples (click on the headings to go to that section of the shop):

Greetings cards:


For a start, there's a whole series of 12 birthday cards featuring birthstones for every star sign, as well as many cards featuring my older artwork.  I'm not printing any more at the moment - it's not really economical to print small quantities, so these are the last!  I recommend a set of all 12 crystal cards - that way you'll always have a spare on hand at the last minute for those colleagues whose birthday you've only just remembered!








Mini prints:

There's a selection of older artwork available in a small print size with a 10" x 12" mount included, suitable for a standard sized photo-frame, like this painting "The Rebirth of Venus".

















Full-sized limited edition prints:

Last stock of signed and numbered limited edition giclee prints, e.g. "I'm for the Hare that Runs by Night".  (24" x 36" approx on fine-art paper).


















Posters:

A few posters on lightweight paper - really cheap!  On the right the standing stone with sun-goddess picture ... "Unto us a Sun is Born".

















Original drawings:

... and some more recent work - a few original drawings available, like "That Tracey Emin Says my Art Looks Like a Plane Crash" (see left).











Organic abstract prints:

.. and lastly some small versions of the organic abstract prints from the 'unlikely realms' collection, which are featured in the video installation at my current exhibition "Synthesis" at MOMA Wales in Machynlleth.  I'll be adding some of the full-sized limited edition versions to the shop later in the month - watch this space!















So - I hope to look in a bit more detail at some of the older work over the rest of the month.  In the meantime, remember, the 20% off sale lasts until May 20th!  Enter the discount code MAYDAY2013 at the checkout!

Tuesday, 30 April 2013

Tuesday, 23 April 2013

Exhibition open at MOMA!

"For the Girl Had No Clothes On!" : Ink, red chalk, gouache & pigment on Khadi handmade paper : 70 x 50 cm
Copyright © 2012 by Martin Herbert
We delivered the work for my new show at MOMA Wales on Friday and apparently it's already up on the walls, a week ahead of schedule! The exhibition is the result of my Arts Council funded project "Synthesis" which ran for 6 months last year (well, the money ran out after 6 months - the project continues!), and is of large-scale drawings in traditional media (ink, red chalk, white gouache) on handmade Khadi paper (made in India from 100% recycled cotton rag). I haven't even managed to get over there to see the results of the hanging yet, so not sure exactly how many works they managed to fit in the space, but I'm told its looking good! They will also be a video installation just as soon as I get the DVD working!



There will be a Private View at midday on Saturday 18th May 2013, to which you are all most welcome. Two other exhibitions will be opening at the same time in the upstairs galleries so there'll be a lot to see.

Many thanks go to Ruth Lambert and all at MOMA, who are not only hosting the exhibition, but whose help in securing funding for the project in the first place was absolutely invaluable!

Here's a more comprehensive description of the work (scroll down for the Welsh version), and I'll be putting up images in an online gallery page on this blog as soon as I can find the time!

Hope to see you all on the 18th!


Project ”Synthesis” - Introduction:
Prosiect  “Synthesis” – Cyflwyniad:

This project has two distinct strands with one theme in common - they both concern the reconciliation between digital 'new media' and traditional drawing and painting techniques.  My goal is to explore ways in which computers and the internet can be used to source material which inspires illustrations and innovative new work to be carried out using traditional materials and techniques.

The first strand concerns the production of new organisms, machines and organic constructs using 3D computer modelling technology, which I then use as inspiration for new drawings done using the earthiest and most organic of materials - sepia ink, clay pencils, earth pigments etc.

The second strand involves sourcing written material from the internet - I am using these texts as the basis for new illustrated editions of neglected or beloved books which have now passed into the public domain through expiry of copyright and are now available to anyone who cares to download them from web archives.  The illustrated editions will then be uploaded back to the internet as e-books, completing the cycle.  The first book to receive this treatment is Irish author James Stephen's 'fairy tale for grown-ups', The Crock of Gold. The illustrations are a work in progress, leading up to publication of a new illustrated edition in 2013.


Mae dwy elfen bendant i’r prosiect hwn gydag un peth yn gyffredin - mae’r ddau’n ymwneud â chysoni’r ‘cyfryngau newydd’ digidol a thechnegau arlunio a phaentio traddodiadol. Fy nod yw edrych ar ffyrdd y gellir defnyddio cyfrifiaduron a’r rhyngrwyd i gael hyd i ddeunyddiau sy’n ysbrydoli darluniau a gwaith arloesol newydd sy’n defnyddio deunyddiau a thechnegau traddodiadol.

Mae’r elfen gyntaf yn ymwneud â chynhyrchu organeddau, peiriannau a lluniadau organig newydd gan ddefnyddio technoleg modelu cyfrifiadurol 3D y byddaf wedyn yn eu defnyddio fel ysbrydoliaeth am arluniau newydd a wneir gan ddefnyddio’r deunyddiau mwyaf priddlyd ac organig – inc sepia, penseli clai, priddliwiau ac yn y blaen.

Mae’r ail elfen yn ymwneud â chael hyd i ddeunydd ysgrifenedig o’r rhyngrwyd – dw i’n defnyddio’r testunau hyn fel sail i argraffiadau darluniedig newydd o lyfrau hoff neu anghofiedig, sydd bellach wedi mynd yn eiddo i’r cyhoedd wrth i’r hawlfraint ddod i ben ac sydd ar gael i unrhyw un sydd am eu lawrlwytho o archifau’r we.  Bydd yr argraffiadau darluniedig yna’n cael eu lanlwytho i’r rhyngrwyd, gan gyfannu’r cylch.  Mae’r llyfr cyntaf i dderbyn y driniaeth hon yw’r ‘stori tylwyth teg i oedolion’ gan yr awdur o Iwerddon James Stephens, The Crock of Gold. Gwaith ar y gweill yw’r darluniau, sy’n arwain at gyhoeddi argraffiad darluniedig newydd yn 2013.


Project Synthesis has been made possible with the support of:
Mae Prosiect Synthesis wedi’i wneud yn bosibl â chymorth:




Wednesday, 3 April 2013

New art! - "A Hat that Stirred Her to the Top of Rapture"

"A Hat that Stirred Her to the Top of Rapture" : Red chalk, ink, sepia ink & dry pigment on handmade Khadi paper : 70cm x 50 cm : Copyright © 2013 by Martin Herbert
"A Hat that Stirred Her to the Top of Rapture" : Red chalk, ink, sepia ink & dry pigment on handmade Khadi paper : 70cm x 50 cm : Copyright © 2013 by Martin Herbert

Just finished the last piece for my solo exhibition "Synthesis" at MoMA Wales, Y Tabernacl, Machynlleth, which opens on 29th April.  This is one of the ongoing series of illustrations for James Stephens 1912 book of Irish mythology-based fantasy "The Crock of Gold". There will be a private view of the exhibition at noon on Saturday May 18th - please be there, and bring friends!  Mail me for further information.

In the meantime, to receive prints of art by myself and my wife Vivi-Mari Carpelan, (here seen wearng The Hat) in our brand new radical 'change-the-art-market' publishing venture - please check out our crowd-funding project at indiegogo.com/wowlookwhatigot !  Don't forget, the funding campaign closes on Monday 15th April, so please go check it out soon and if you can, contribute a modicum towards our small yet significant total!

More exhibition news soon ...!
Bye for now !
Martin

Wednesday, 31 October 2012

Last minute preparations ... phew !!

The last drawing for the exhibition in Llandrindod Wells rolled off the drawing board this morning and into a frame ready for hanging ...

"Crocodiles, Hens, Beetles, Armadillos & Fish (do not evince any remarkable partiality for man)" : 90cm x 70 cm :
Ink, pencil, gouache & transfer print on Khadi handmade paper : Copyright © 2012 by Martin Herbert
Last few prints just wrapped and ready for delivery.  The curator at the Radnorshire Museum, Will Adams, has been busy hanging things for the last 2 days, and (fingers crossed), everything is ready for tomorrow night's opening ... after which I will be taking a very well deserved week off before starting up the new business! (Of which more later, etc. etc. etc..... :-)

So remember - private view of the Project Synthesis exhibition at the Radnorshire Museum, Temple Street, Llandrindod Wells, Wales, LD1 5DL at 6:30PM tomorrow, Thursday 1st November!  Fourteen new large-scale works on paper, plus some of the older work which formed the original starting point for the project, and a video installation ....  All work is for sale.

If you can't make the opening, the exhibition continues until Sat. 12th Jan.  For a map and opening hours, especially over the holiday period, please check out the Radnorshire Museum website.

More information about the project, and link to a preview of the video, here:
http://artedstates.blogspot.co.uk/2012/10/project-synthesis-exhibition-starts.html

"The Heart is the Fountain of Wisdom" : 90 cm x 70 cm : Ink, pencil, gouache & transfer print on handmade Khadi paper.
Copyright © 2012 by Martin Herbert

With the assistance of the Arts Council for Wales, and all these lovely people:

Thursday, 11 October 2012

Project Synthesis: Exhibition starts November 2nd


Private View:
Thursday 1st November 6:30 – 8:00 - all welcome.



The project I've been working on all summer is entitled “Synthesis”. I received a grant earlier in the year from the Arts Council of Wales to support the development of a new body of work, which is now going on show in a one-man exhibition at the Radnorshire Museum in Llandrindod Wells.

Exhibition details:

“Synthesis: New works on paper by Martin Herbert”
at the Radnorshire Museum, Temple Street, Llandrindod Wells, Powys, LD1 5DL
Friday 2nd November 2012 – Saturday 12th January 2013
Open Tues-Fri 10:00 – 4:00, Sat 10:00 – 1:00

For more information, mail me, or call the museum on 01597 824 513

Private View:

Thurs. 1st Nov. 2012 - 6:30 - 8:00 - all welcome

About the Project:

The “Synthesis” project has two distinct strands with one theme in common – they both concern the relationship between digital 'new media' and traditional drawing and painting techniques. My goal is to explore ways in which computers and the internet can be used to source material which inspires illustrations and innovative new work to be carried out using traditional materials and techniques.

The first strand concerns the production of new organisms, machines and organic constructs using 3D computer modelling technology, which I then use as inspiration for new drawings done using the earthiest and most organic of materials – sepia ink, clay pencils, earth pigments etc.

“Design for a Flying Machine to Escape the Bank Manager” (Detail)  : Ink, pencil, gouache & transfer print on Khadi handmade paper : Copyright © 2012 by Martin Herbert
The second strand involves sourcing written material from the internet - I am using these texts as the basis for new illustrated editions of neglected or beloved books which have now passed into the public domain through expiry of copyright and are now available to anyone who cares to download them from web archives. The illustrated editions will then be uploaded back to the internet as e-books, completing the cycle. The first book to receive this treatment is Irish author James Stephen's 'fairy tale for grownups', The Crock of Gold (Reviews here). The illustrations are a work in progress, leading up to publication of a new illustrated edition in 2013.

“Pan in Ireland” : Ink, pencil, gouache & pigment on Khadi handmade paper
Copyright © 2012 by Martin Herbert
Video installation:

A selection of work from the “unlikely realms” series of digital organic abstract prints, which were part of the original inspiration for the Synthesis project “organic construct” strand.


Project Synthesis has been made possible with the support of: