Friday, 29 June 2012

New drawing - "Mediator" - entry for the Jerwood Prize

"Mediator" : Ink, chalk and gouache on tempera-washed handmade khadi paper : 64 x 52 cm
Copyright © 2'012 by Martin Herbert


My entry for this year's Jerwood Drawing Prize.  Delivered last weekend to the Cardiff School of Art and Design, and now en-route to London.  The Jerwood prize is held every 2 years, and is one of the things I´d most like to win as it actually carries a certain amount of ´street cred´ in the art world!  Well - winning is highly unlikely, judging by the usual number and quality of entries, but it would certainly do no harm to be shortlisted.  The shortlisted entries are all exhibited in a touring exhibition, and it's a good chance to get something into some decent galleries .... Announcement of selections next Friday 6th of July - watch this space - if it doesn't get selected it's going up for sale on Saatchi in the near future ...

This is one of the 'organic abstract' (note to self - must think of a better name) pictures which I'm producing as part of the Synthesis project - a six month Arts Council of Wales funded development project in which I'm exploring the fusion of digital 'new media' (in this case the digital construction of 3D fractal objects), with classic drawing techniques to create 'portraits' of entities and machines which exist only in potentiality.

Monday, 11 June 2012

Music featured in FSC video - Sally Hope, with me!!

My fiddle playing on the instrumental remix of  'Squanasie' from Sally Hope's album 'Medicine', featured in the new video made by the Forestry Stewardship Council ....


Cool!  Catch up on Sally and  Jezz's musical doings here.  Coincidentally, I just got permission from Sally to use a clip from 'Squanasie' for my pitch video for indiegogo.com to raise funds for my current project 'Synthesis', so you'll be hearing it again soon ... as soon as I can find time between drawings to actually put together the video, that is ...!

Thursday, 7 June 2012

New fossils discovered

"Fossil Xenopelagica 2" : Digital painting, 30 x 30 cm at 300dpi : Copyright © 2012 by Martin Herbert

Made some new digital work over the last couple of days, for the first time in ages.  My entry for the Royal Society of Painter Printmakers "RE-Open" exhibition at the Bankside Gallery in London.  Got to wait until July to find out whether anything has been accepted now.

To produce the new prints, I reworked some of the unlikely realms images by using them to make 3D 'relief sculptures' which I then lit to look like they were engraved on various surfaces.  The original idea was to have them on a stone surface to make them look more fossil-like, but I found the lack of colour wasn't quite working so I ended up, after some trial and error, with something that I think looks more like a hammered copper sheet... Whatever, they're still called 'fossils'!
"Fossil Xenopelagica 6" : Digital painting, 30 x 30 cm at 300dpi : Copyright 2012 by Martin Herbert
The premise behind unlikely realms is that there is a whole collection of 'virtual' fauna and flora, both macroscopic and microscopic, to be documented.  They exist only within the computer, but can be drawn and photographed just the same as real natural organisms.  More coming soon as part of my ongoing project Synthesis.
"Fossil Xenopelagica 7" : Digital painting, 30 x 30 cm at 300dpi : Copyright © 2012 by Martin Herbert

One last one with a different surface - I decided at the last minute to do something a bit more colourful.  During experimentation I also found a process which makes the 'fossils' look as a if they are engraved on slate - will try to do some if I have time.

For the techies, no - they are not just made using the 'emboss' filter in Photoshop / these are actual 3D models lit using XenoDream from Stirling-Thornton.
"Fossil Lacestar II" : Digital painting 30 x 30 cm at 300dpi : Copyright © 2012 by Martin Herbert




Tuesday, 5 June 2012

"Luvverly Jubilee" : New really not official portrait of the queen

"Luvverly Jubilee" : Sepia in, red chalk, white gouache on tempera-washed heavy watercolour paper, with transfer-printed lettering : 13" x 10.5" : Copyright © 2012 by Martin Herbert
A little drawing I was just inspired to do for the Royal Jubberly - now up for sale on ebay - bidding starts at a mere tenner.  A bargain, I´d say ... where else are you going to get a unique Royal souvenir for that price, eh?  I reckon this should be in that there exhibition of queenly portraits wot's on at the National Portrait Gallery.  Dunno why I always get overlooked when they´re putting this sort of thing together ... sigh.

Ideal purchase for the rabid royalist on your life.  Go on, 'ave a punt, guv.

"Luvverly Jubilee" (detail) :  Copyright © 2012 by Martin Herbert

Monday, 7 May 2012

Design for a Flying Machine to Escape the Bank Manager

"Design for a Flying Machine to Escape the Bank Manager" : 70 x 50 cm : Ink, chalk, gouache & transfer printing on handmade paper : Copyright © 2012 by Martin Herbert
A 'paraphrase' of Leonardo Da Vinci - I've been wanting to do something like his machine designs for ages...

I'm continuing with a trend of pricing new drawings according to the principle "To each according to their needs" which I began with "that tracey emin says my art looks like a plane crash". Thus prices are no longer directly related to the size of the drawing, its complexity, or the amount of time I spent working on it (in this case, many days). Instead the price is determined by what the drawing represents, related to my needs at the time...

So.... "Design for a Flying Machine to Escape the Bank Manager" is priced at exactly the amount of my bank overdraft at the time of uploading. The buyer will have the personal satisfaction of knowing that they did indeed enable an artist to escape the bank manager :-)  The original is for sale in my shop at etsy.com.

"Design for a Flying Machine to Escape the Bank Manager" (Detail)  : Copyright ©  2012 by Martin Herbert
Original drawing using original Renaissance drawing materials and techniques, blended with modern touches; sepia ink, red chalk pencil with white gouache highlights, and transfer-printed lettering (and bank manager) on handmade Khadi paper prepared with an egg-tempera wash. Paper size 28" x 20" (70 x 50 cm). 

Still getting on well with the Khadi paper - I've just ordered 25 sheets to use for the "Crock of Gold" illustrations.  I've 2 drawings on the easel at the moment - one being the first project illustration, "The Spinning Philosopher" for "Crock of Gold", and the other my entry for the Ruskin Drawing Prize .... it's all go!  At the same time I'm doing a time-lapse video of the process of creating "The Spinning Philosopher", to be used as part of a promo video for the indiegogo.com crowd-funding site... more details soon (well, as soon as the video is edited....)

I'd be much obliged if you'd share this page (and/or the etsy.com entry) with your chums using facebook, twitter, etc. etc. by clicking on those little icon thingies below...  The more the merrier!

"Design for a Flying Machine to Escape the Bank Manager" (Detail)  : Copyright ©  2012 by Martin Herbert


Friday, 24 February 2012

New drawing: My art really DOES look like a plane crash...!!

"That Tracey Emin Says my Art Looks Like a Plane Crash" : 72 x 102cm : Mixed media on handmade paper
Copyright © 2012 by Martin Herbert : Click for a larger view
My biggest drawing to date, just completed. Connoisseurs of 'Arted States' will immediately recognise this as being based on one of the BA 'Great Britons' designs. You can read the whole story of last year's bid for fame and glory starting here.

For those with less patience, this drawing is based on my original design for the 2011 British Airways "Great Britons" art competition. The brief was to create a design to be painted on BA's aircraft during the 2012 Olympic Games in London, and this one was based on the Olympic rings - somewhat extrapolated!

I was one of only 10 artists shortlisted for the prize and was interviewed at the Royal Academy of Arts on London by an illustrious panel including artist Tracey Emin, and RA curator Eliza Bonham-Carter. Sadly I didn't win in the end, but it was all an interesting experience.

The title of the piece is based on Ms. Emin's comment during the interview when she was looking at this particular design :-¦ You can read the full story behind the title here.

It's currently for sale on etsy.com priced at £8,000 - the value of the commission I didn't quite win.  Some higher resolution pics there.

Original drawing in sepia ink, clay pencil with white gouache highlights, and transfer-printed lettering on handmade Khadi paper prepared with a red egg-tempera wash. Paper size 40" x 28" (102 x 70 cm). As with all the drawings I'm doing at the moment, this is a one-off unique original and will not be reproduced as a print.

Me, I think it would be an ideal addition to the walls of some big national company's corporate HQ.  Hint. Hint.
"That Tracey Emin Says my Art Looks Like a Plane Crash" (Detail) : 72 x 102cm : Mixed media on handmade paper
Copyright © 2012 by Martin Herbert : Click for a larger view

Friday, 10 February 2012

Air...

One of my older pieces was featured in Julie Marie's creative blog .... http://juliemarieshop.blogspot.com/p/tuesdays-treasures.html.

Thanks for the mention!


"Air" : Digital painting : 11" x 11" : Copyright © 2003-2012 by Martin Herbert


Saturday, 10 December 2011

A wander through the heart of the artist... Entry for the Oriel Davies open 2012

"Functional Pumping Heart Model" : 71 x 52 cm : Ink, pencil, gouache, egg-tempera & transfer print on handmade paper :
Copyright © 2011 by Martin Herbert
New drawing I've entered for the Oriel Davies open exhibition for 2012 - a good show to enter work for in that the first prize is not only £1500, but also a one-man show in 2013.  Now that would be useful!  Vivi-Mari has entered as well ... fingers crossed.

Title - "Functional Pumping Heart Model".  Original drawing in sepia ink and clay pencil on handmade khadi paper, with transfer printed elements including a photo by Vivi-Mari (which is why it's only 'sort of' a self-portrait - I did lots of things to it, but the original photo is hers - I guess that really makes it our first collaboration - another one coming soon!).  A symbolic journey through the many byways of the heart.  I thought of the old idea of phrenology, assigning mental functions to different areas of the head, and transferred the idea to the assigning emotional functions (and dysfunctions) to areas of the heart.  Not for sale online yet, until I hear whether it's been selected for the show (mid Feb), but I'm always willing to entertain offers.  Now.. on with the next piece, in between decorating the house ready for Christmas, etc. etc.....
"Functional Pumping Heart Model2 (detail) : Copyright © 2011 by Martin Herbert
 I'm really into the Indian khadi handmade paper at the moment - it's 100% recycled cotton rag (made of offcuts from the t-shirt industry), completely non-acidic (i.e. archive quality), and has a superb heavy textured surface for the drawing techniques I'm using.  This is the first piece where I've used transfer printing, which I think looks great for including what are essentially collaged elements - Vivi-Mari's photo portrait, and the text captions I made up to add to the heart.  The heart drawing itself is based on an anatomical engraving from the original edition of 'Gray's Anatomy'.
"Functional Pumping Heart Model" (detail) : Copyright © 2011 by Martin Herbert

Thursday, 1 December 2011

Asus ea800 Eee Note - Review from the artist's perspective

Update: 10th Jan 2013: The notepad I reviewed here is now up for sale on eBay at: http://www.ebay.co.uk/itm/110998868769?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

I'm sitting writing this review on a peculiar small A5 not-a-tablet-PC which I'm starting to use more and more as my general all-purpose notebook.  How did such a thing come about?  Dear reader, read on .....

I've been using an HP Tx2500 series tablet PC for some years, both for drawing and writing.  Writing, because I prefer to write longhand, whether it be creative writing (very seldom!) or simply writing an occasional journal - the 'morning pages' which I got into the habit of writing as a result of working my way through Julia Cameron's "The Artist's Way", and am still sometimes keeping up today.  For me, writing longhand has the distinct advantage of giving me time to think - it stops my mind rushing ahead as it is wont to do when typing.

Drawing works well for me on a tablet because of three things - firstly because of the excellent software available which emulates the traditional media I prefer to use. (Yes, I know that sounds counter-intuitive, but bear with me!). my favorite program at the moment is ArtRage but I've tried other similar packages, and they're all pretty good.  The second two reasons are linked  - one, I can try out a multitude of different experiments without feeling guilty about wasting reams of paper, and two, I can endlessly correct, refine, and revise whatever it is I'm working on until I'm happy with it.  For both writing and drawing, the main advantage of digital over paper is the knowledge that everything is backed up, and all in one easily accessible place, not in a box full of random papers in a cupboard somewhere.

So, why am I writing a review of a little machine which is decidedly NOT a tablet PC? Well, despite all the advantages of the tablet PC hard- and software noted above, there are also distinct dis-advantages. Firstly, size and weight - the 'first generation' HP tablet I'm using is not by any stretch of the imagination light or slim. It generates a fair amount of heat, and most of all, the battery life is at best a couple of hours. Lastly, the backlit LCD screen is more or less invisible in daylight, so I can say goodbye to any thought of sitting sketching away outside my favorite cafe.

So, in the ideal world, someone would invent a thin, lightweight, A4 sized 'notepad' with a nice colour screen and decent battery life which runs my favorite art software.  Oh, but wait, there's this thing called the 'iPad', right?  That would be ideal, especially as the makers of ArtRage have already ported their software to it....  Well, as it turns out, no.  Major problem - the iPad does NOT have a pressure-sensitive touch screen with a stylus.  Your bad, Apple. The one thing you can't do, as an artist, on their wonderful tablet, is draw on it, unless you're into finger painting, or using a third-party stylus with a tip like a kid's crayon.  (OK, David Hockney has turned out some credible art on an iPad, but his style is not mine - I want a pencil stroke which gets broader and darker when I press harder - it doesn't seem too much to ask).  So yes, the iPad looks great, but I want it with a proper Wacom digitising screen & penabled pen, and a display that works under any lighting conditions.  Apple, please take note.

As far as I know, at the time of writing, there is one product which comes close - the Asus EP121 Eee Slate, a fully fledged Windows 7 tablet with a penabled display.  OK, it's not a 'view-anywhere' screen, and the battery life isn't anything to write home about, but I could compromise a bit, apart from one small detail - it costs close to £1000 in the UK, and I'm your average starving artist, so until Asus kindly send me a review unit (hint), or I manage to raise some serious money to support my next project (watch this space!), I'll be doing without.

Given all the above, it is natural that I should cast about the far reaches in the internet occasionally, looking for an alternative, and so it was that I happened on this strange beast, the ea800 Eee Note, also made by Asus. (I also happened across the fabled NoteSlate, but it appears to be exactly that - fabled).

The Eee Note is well, basically, a notepad.  Imagine an A5 paper pad and a pen that just happens to be electonic, and you're getting the idea. No fancy colour screen - greyscale only. No media consumption (apart from e-books) though it does have a rear-facing camera and an MP3 player. No Flash video or Java, though it does have a rudimentary web-browser (and WiFi, not 3G).  Did i say, it is basically for taking notes?  You can write on it, and draw on it, and send the results via WiFi to the Evernote cloud application, and that's basically it. Oh, wait, no it's not - it's also an e-book reader (PDF and ePub format).  Others have written at length about the functionality, hardware and software (see below for links), so I'm not going into massive detail - what I'm interested in is whether it's a useful tool for artists...

At this point I can hear you asking "Why would I buy such a limited device, when the iPad and the Slate both have so much more functionality?"  The answers are two-fold and simple:  One, the A5 sized greyscale screen is a 512-level Wacom digitizer and the notepad function has two pressure-sensitive tools - pencil and fountain pen - see below for examples.  Two, the price - around £150 in the UK.  That's right - £150 for a pressure-sensitive electronic notebook.  Any questions?  Oh, by the way, don't expect to pick one up at PC-World. At the time of writing it appears to be available in Asus' native Taiwan only, though there are rumours of a launch in Italy - a bit of European test marketing perhaps?  Fortunately if you're dead set on aquiring one, enterprising distributors in Taiwan are selling them on ebay, which is where I got mine, with a (mostly) English firmware version. They even threw in a UK power adapter for the little USB charger.

So, where were we? Ah yes, questions. So here we go on the useful bit, useability for artists.  The general verdict is, could be better, as it definitely feels like a work in progress, but on the other hand, it is useable.





So that's pretty much it for writing. The last firmware upgrade added on a select/copy/paste function, so it seems they are still actively working on the functionality, which is great.

And so to drawing.  The notepad app. gives you 34 different background templates, but at the moment, the useful headings on a lot of them are still in Mandarin, which makes them pretty useless for gaijin. The writing examples above are on a standard ruled background, but for free drawng you can make the background blank. You can also change it at any time afterwards, though no way to upload your own.  Here we go....




So - even using the 'pencil' tool, it's pretty much like drawing with a ball-pen. If that suits your drawing style, great, but it's not what I'm used to. I find I'm using the Eee Note (after a few weeks of ownership) quite a lot for writing - day-to-day note-taking etc. - not so much for drawing.

So I have a wishlist for Asus. I'd really like to use the Eee note as a general purpose notebook and sketchpad, but the sketchbook bit isn't quite there yet. For me, what it needs is:
1. A better contrast screen with 64 grey levels ( or colour, of course, but that takes us into a whole new price bracket, and the point is, this thing is affordable). At the moment , with the present LCD, black on white is really grey on grey - it reminds me of the Apple Newton I had 15 years (or whatever) ago. Surely display technology has moved on since then?
2. A more 'natural' pencil tool. Vary both colour and stroke width with pressure, and add 'paper texture'. Make the variation much more continuously sensitive, and get it tested by lots of artists.
3. Give the eraser 'soft edges' and make it pressure sensitive in both size and opacity so it can be used as a drawing tool.
4. ... or just get the ArtRage folks to port their app to Linux!
5. ... and ... well, that's pretty much it, really. The rest is just bells and whistles. What counts for me is whether it works as a notebook, pure and simple.

Conclusion - the Asus Eee Note is good at what it does, and it only needs a couple of improvements to be great, from an artist's point of view. I will certainly continue to use it, and report back later. In the meantime, if Asus would like a working artist to beta-test the next generation version, I'm your man....

Other reviews:
Bit-Tech: http://www.bit-tech.net/hardware/mobile/2010/12/22/asus-eee-note-ea800/1
goodereader.com: http://www.youtube.com/watch?v=yPDYCUSUf4E
(Many links to other 'unboxing' videos on the right)
Eeenote.net: http://www.eeenote.net/
(Doesn't seem to have been updated for a while)

There is an SDK, and various people are working on new apps etc.  Google for Eee Note SDK and see what comes up, if you're technically minded.

Wednesday, 16 November 2011

Today's "Stream of Consciousness" Drawing

This week's new drawing - now up for sale on etsy.com.

"Finally Say cherish the Present Life" (detail) : Original drawing in sepia ink and clay pencil on handmade Khadi paper : 27" x 20.5" (69 x 52 cm) : Copyright © 2011 by Martin Herbert

"Finally Say Cherish the Present Life"


A unique original drawing in sepia ink and clay pencil with white gouache highlights, on handmade Khadi paper.

The latest in a series of symbolic 'stream of consciousness' drawings. I'm never sure what they mean until they're finished and titled. Sometimes, as in this case, the title comes before the meaning. The message here is "Use your heart now - we are all connected with the tree of life, and our physical bodies will return to the earth and nourish new growth, but learn to embrace the physical reality we are in now and use this life to its greatest potential".

Khadi paper is handmade sheet by sheet in India from 100% recycled cotton rag (they use offcuts from the T-shirt industry). It is acid-free (pH-neutral) and therefore of archive quality. I think it has a superb rough texture for this kind of Renaissance-inspired drawing. I painted a sheet with a wash of English Red egg-tempera, which I prepare myself by making the egg-based medium and grinding it with dry powdered pigment. The drawing is done with sepia ink, Derwent clay-based drawing pencils, and white gouache. I used a vintage anatomical engraving as reference for the heart - the rest is made up as I go along.... It's about as handmade as I can make it, short of making the paper myself (guess that will be coming sooner or later!)


For more photos and full details, click here.


"Finally Say cherish the Present Life" : Original drawing in sepia ink and clay pencil on handmade Khadi paper : 27" x 20.5" (69 x 52 cm) : Copyright © 2011 by Martin Herbert

Thursday, 3 November 2011

This week's new drawing - "Third Eye Test"

I really should have had this ready before Halloween / Samhain, but didn't quite finish it in time... Well, it's never too late to buy your loved one a suitable seasonal gift...

"Third Eye Test" : Sepia ink and clay pencil on handmade Khadi paper :  30" x 22"
Copyright © 2011 by Martin Herbert


The Alphabet of the Magi was invented by Theophrastus Bombastus von Hohenheim (also known as Paracelsus) in the 16th century. He used it to engrave the names of angels on talismans which he claimed could treat illnesses and provide protection. Now - apply that to a standard optometrist's eye-test chart and you have ..... a Third Eye Test!! Well, that's my theory.

Now for sale in my etsy.com shop, where you can see larger photos and full details...
"Third Eye Test" - detail
Copyright © 2011 by Martin Herbert

Now - really must try to find time to do some proper blog updates....

Saturday, 22 October 2011

A new drawing just completed ...

"Order & Chaos" : Original drawing in sepia ink and terracotta pencil on handmade paper : 28 x 22 inches
Copyright © 2011 by Martin Herbert
Hi all,

Just finished a new drawing which I've had in my head for some time.  it's now available for sale on etsy.com.

The perfection of the Fibonacci spiral, based on the golden mean, contrasted with the representation of mortality, decay, and devolvement into chaos. Entropy rules! The skull image may be a complete contrast with the perfect mathematical fluidity of the spiral - however the spiral form is appropriated by nature for the horns - all things are linked. The mathematical expression used in the background is the equation for the spiral itself.

Finally got around to making it, so here we go....

It's a unique original drawing in the most traditional media I can muster - similar to what my hero Leonardo Da Vinci would have used; sepia ink and terracotta (clay) pencil with white highlights, on rough 'deckle-edge' handmade paper prepared with a red earth egg-tempera wash. Overall size of the paper is 28.5 x 22 inches (72 x 55 cm).

Saturday, 24 September 2011

Tracey Emin says my art looks like a plane crash



As some people will know, one of our cats, Marius, got hit a by a car a couple of weeks or so, which has left us running round like headless chickens getting him operated on at the vet (he now has a pin holding his leg together and is really going to have problems going through airport security from now on), sorting out his palatial accommodation for the prescribed 8 weeks cage-rest, and trying to get money together to pay the vet bill. (Many thanks to Powys Animal Welfare, the RSPCA, and Tailwaggers Club Trust for helping out!).

The patient, prior to losing an argument about right of way with a 4WD
We now have some time, finally, to continue preparations for the Open Studio which starts next Saturday (eek!), but I thought I'd just chip in a little bit about the finale to the British Airways Gret Britons competition. Having got through to the finalists' short-list of 10 candidates, you'll recall I went down to London for interview with the distinguished panel, and in the light of having no updates to the contrary, you've probably gathered that I didn't win (obligatory frowny face). Well, technically speaking there was only a 10% chance, but of course it's disappointing to have gone through a lot of hard work, time, effort and indeed money to no avail. Everyone's standard response is, of course, "Well, at least it's something good to put on the CV", but it remains to be seen whether that actually sways anyone's opinion when I'm applying for other projects...

So now, at least I can show a couple of the designs which got me onto the shortlist.....
The all-over option. Copyright © 2011 by Martin Herbert

Tail only ....  Copyright © 2011 by Martin Herbert
The contest was eventually won by Pascal Anson, a designer based in Brighton who went to the Royal College of Art (same as Tracey Emin ... hmm... ) and has already represented Britain in various overseas exhibitions/events. It seems the selection panel might have been playing a bit safe in picking someone who already has a track-record, but I'm sure his designs are well worthy of the prize. We won't be able to see for ourselves, unfortunately, until the newly decorated planes actually roll out onto the tarmac in March 2012.

One thing I did get out of the whole experience was being forced to actually sit down for the best part of three weeks and really think about where my art is going, what I want to say, etc. etc. I suspect that may prove, in the long run, to be the real gain. Oh, and one other thing - that title to this post? Well, it was worth going through the whole show just for one quote - when I'd finished my presentation and it was question and answer time, Tracey Emin picked out one of my designs and said (more or less) "Well, if I saw a plane sitting on the tarmac with that painted on it, I wouldn't want to get on it, 'cos it already looks like a plane crash....!"
The offending article - Would you get on this plane?
Copyright © 2011 by Martin Herbert
Fortunately there were other designs she liked a lot better. The following day, we managed to get to see her retrospective "Love is what you want" at the Hayward Gallery - seeing a lot of her work in context, with the accompanying texts, we both felt we have a much better understanding of it. It's easy to dismiss if you've never seen it close up and in depth, and a lot of people do. (One reaction from an artist friend when I told them I'd entered a contest in which part of the prize was mentoring from Tracey Emin was "Are you sure it shouldn't be the other way round?"). I think maybe that understanding was another good thing I gained from the process. Vivi-Mari wrote a great review of the exhibition and Tracey's work here - well worth a read.

So it's on to new projects - I've entered a piece for the National Open Art Competition, and the Open Studio starts next week. By the end of October I hope to be ready to announce a new project which will be a taking up a lot of my time and energy for the next few months .... until then, if anyone wants a painting of a plane crash .....

Tuesday, 13 September 2011

Announcement: Powys Arts Month: Open Studio

Vivi-Mari's studio ... looking veeeery tidy and supremely organised.

A quick update to say we're having an open studio in Llanidloes during Powys Arts Month (Oct 2011).  We're very busy getting ready - hanging everything we can think of all over the house, so visitors will be able to see three floors of art!  We will both be working in our studios during most of the open days, and a wide variety of paintings, collages, prints and cards will be on sale, with prices from just £1.25 to over £5,000!

Beatrice the studio cat can hardly wait to completely ignore you...
There are 3 floors of art on display - everyone is welcome.  Please note access is via narrow stairs and there is no wheelchair entry.  In case of allergies, please be aware there are 3 studio cats in permanent residence.

We can get more in than that ....!
Powys Arts Month features over 70 open studios, exhibitions, performances and other events throughout the county during the whole of October, starting in the North at the beginning of the month and gradually spreading southwards.  Look out for the distinctive posters etc. with the brightly coloured PAM logo....


There is also an exhibition of Powys Arts Engine members work at the Radnorshire Museum and the Beaufort Gallery in Llandrindod Wells during the whole of Sept. and Oct. Vivi-Mari and I both have works on display there - see here for details.

We will be opening at 14 Short Bridge Street, Llanidloes, SY18 6AD from Sat 1st Oct to Sun 16th Oct.  Open days are Thurs, Fri, Sat, and Sun (closed Mon to Weds), from 1PM to 4PM, with late evenings to 7PM on Fri 7th and 14th.  For further details, directions, parking info, public transport, etc. please see our entry on the Arts Month website.  We look forward to showing you around!

Beatrice the studio cat doubles as a very useful pencil sharpener....


Monday, 22 August 2011

Great Britons: No news is ....

Well, another quick update - can't say much, but apparently The Committee [TM] will be continuing their deliberations for a few more days .....
How am I going to be painting their aeroplane with my fingernails bitten to the elbow, huh?  Meanwhile - trying to get some work done on the new project (which is really really top secret until I can get it together to write abut it).

Tuesday, 16 August 2011

Phew! Interview done ....

Well, just a brief note to say I had the BA Great Britons interview before the selection panel in London, and it seemed to go pretty well - plenty of interest in my ideas from the jurors and some useful discussion on how things might work.  They interviewed about 8 people yesterday - a couple more this morning, then I guess they retire to deliberate...  Winner will notified at the weekend, but if you win you can't say anything until after the press conference later next week - how frustrating is that!!  If you see me in the Co-op buying champagne, draw your own conclusions.  So ... continue wishing me luck, and all that, and many thanks for everyone's support.  See you later...

Monday, 8 August 2011

I've been short-listed for BA Great Britons!!

Eeeeek!  Just had a phone call from a very nice young lady at British Airways to inform me that I have been short-listed as a finalist for the art section of the Great Britons contest!!  I have an interview in London at the Royal Academy of Arts next Monday in front of a panel including Tracey Emin.  They are only interviewing 10 candidates. Double eeeek!  Now - apparently we need somewhere to stay in London on Sunday night ..... anyone?  (They aren't paying interview expenses - slight problem for starving artists with no money in Wales).

More details are supposed to be forthcoming on the FaceBook page:
http://www.facebook.com/britishairways?sk=app_208626655825278

I would post one of the example designs I used for the entry here, but I'm told there will be a non-disclosure agreement to sign so best not at the moment, eh?  You can see my dorky entry video here though.
Watch this space ....!!

Saturday, 6 August 2011

I made a new thing !

I just made a thing here - why not click this link to go take a look!


(PS: You have to click when you get there too .... and again .... )

Thursday, 4 August 2011

Some new art!

Well, today is a bit of a red-letter day as I've been so busy trying to earn a crust that I haven't had time to actually finish any art for quite a while.  Here's a little drawing I've been working on for the last few days - a character study for an exciting new project I'm working on (more about that soon).  I think it came out quite well - all 'out of my head' - I just used a photo reference for the eye.
"Study for Aengus Óg" : ArtRage drawing on tablet PC : Copyright © 2011 by Martin Herbert

Painting sold

Sold a little painting at the 'Retrospectives' show in Newtown (which is still running, by the way, as is the 'Dragons' show at the Great Oak Cafe in Llanidloes...
This little 'Buddha' went straight away...  (it's actually of a Cambodian king, from Angkor Wat).

"Serenity" : Oils & tempera on canvas : 5" x 5" : Copyright © 2009 by Martin Herbert

Not sure how to get decent pictures of oils like this without the reflections on the canvas ... I'm going to try photographing it again before the exhibition finishes, as people have expressed an interest in prints.  I'm likely to be painting some Buddha paintings of similar size in the near future, if anyone is interested....